The "Dangerous Art" of Arthur Schnitzler: As that is exemplified in the Literature of the texts: But you know that
Hire Writer There is a flurry of sex involved with the indication of danger where Doctor Fridolin finds himself to be placed as a total outsider. Everything in this episode is projected as a point of view that is seen from the perspective of Doctor Fridolin. This episode of masquerade ball adds to the mystery of self discovery of Doctor Fridolin.
Here the self discovery of Doctor Fridolin could be enumerated as a decent into the abyss of his self image. This is also a transition of relations among people in a certain sense too where the outer world is found to be involved in the changes along with individual shift of priority of life and discovery of greater truth of nature within the parameters of social norms.
This novella could also be depicted as a plethora of symbolism and imagery where a person revels himself to the audience and the inner self at the same time that is predominantly psychological in nature. Arthur Schnitzler was a friend and contemporary of the noted psychoanalyst Sigmund Freud of Vienna.
However, these two men had opposite theories, if not different, on human sexuality. Arthur Schnitzler firmly believed that the course of action of human sexuality is dependent upon instinct than anything else. But despite all the differences it is evident that a heavy influence of Freud can be felt while going through the text.
On the other hand this novella could also be taken up as an account of truth, permissible or not, that is juxtaposed within the system of marriage and self individuality. The storyline zooms in the intimate conversation of the primal characters Fridolin and his wife Albertine.
They are basically quite affluent and respectable in Vienna. The wife is found to be an able home maker where the central position is occupied by their daughter who is six. The conversation takes off when the little girl is put to the bed.
The subject of the conversation is about the masquerade ball that they attended.
Initially the dialogues were kept into the parameters of the adventures of Fridolin and his wife Albertine in the mask ball. Soon, the conversation developed into the stage where they revealed to each other that if there was enough chances and coincidences along with favorable situations both of them would have been unfaithful to each other.
For the man it was a fifteen year old girl and for the wife it was man with a yellow suitcase. Both of them wanted to take revenge on the other and before the dialogue was able to unfold into greater adversaries they were interrupted by an emergency call from a patient.
The doctor had to leave. From this point the novella turns into an intermingled atmosphere of mystery, fantasy and fairy tale mode.
But there is problem with this secret society. If one is identified as an outsider there is sure to be trouble. Doctor Fridolin is soon traced out as an outsider but is saved by a mystery woman.
Now the paradox of social responsibilities and desire completes a full circle as the author indicates indirectly the identity of this mystery woman. This is because there is every chance that this woman is Albertine, but with no specific proof for Doctor Fridolin.
Thus the social responsibility of a wife towards her man is completed successfully by the mystery woman if the woman is indeed his wife.
Now if the mystery woman is really his wife Doctor Fridolin has every reason to be cheated as she appeared in the orgy. But at the same time Doctor Fridolin himself had every intention to join the orgy. Thus the paradox continues. Either it is desire that is to be forecasted and relished by an individual or it is important to engage into the human spirit of social interest?
The answer appears to be cleared by the author himself in a way, though not in a very vivid manner, as he puts the social relation between a man and a woman hanging without ramifying the norms of the society by a large extent.
Doctor Fridolin is saved by Albertine and that seems to be the bottom line of the story where the man understands the value of social bondage after an outrageous adventure of inner self.
Davies; Penguin Books; How to cite this page Choose cite format:Dream Story is set in early-twentieth-century Vienna. The protagonist of the story, Fridolin, is a successful thirty-five-year-old doctor who lives with his wife Albertina (also translated as.
Notes on Arthur Schnitzler's Dream Novella and Stanley Kubrick's film Eyes Wide Shut. Rainer J.
Kaus University of Cologne [email protected] Arthur Schnitzler's Dream Novella and Stanley Kubrick's film Eyes Wide Shut have much in common and are at the same time very different from each other. Stanley Kubrick sets the story of the . Please keep posts to candidate discussions, local election news, and the like.
We are currently looking for moderators and contributors. Mudslinging/smearing is frowned upon. The "Dangerous Art" of Arthur Schnitzler: Stage & Screen & Stage.
or Dream Story / Arthur Schnitzler; translated from the German by Otto P. Schninnerer. (Los Angeles, CA.: First Sun & Moon Edition, Sun & Moon Press, ). Die Rezeption von Arthur Schnitzlers Reigen Pressespiegel und andere zeitgenoessische Kommentare. Explore the theme of dreams in Arthur Schnitzler\’s Dream Story Explore the theme of dreams in Arthur Schnitzler\’s Dream Story words Place a similar order with us or any form of academic custom essays related subject and it will be delivered within its deadline.
Constructing the PastVolume 12 | Issue 1 Article 11 Arthur Schnitzler’s Dream Story: Fridolin’s Dream a.